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Creating a DVD menu for your video productions allows your viewers to decide which parts to view, and in what order. You will learn how to set up menus and sub-menus, how to add text and images to your menus, how to create and edit chapters, and finally, how to preview your DVD and export it to disc.

Thanks for watching! We hope you found this tutorial helpful and we would love to hear your feedback in the Comments section at the bottom of the page. You will find a written version of this tutorial below, and a printable PDF copy to download on the Download Resources tab above.

Written tutorial PDF, 1. In this tutorial we will review the DVD menu and disc authoring process using the legacy Author tab. Click on the Author Tab.

Pinnacle may ask if you want to convert your movie project to a disc project from the video you have open. Click Yes.

Under the Author tab, you can scroll down and see a library of themed pre-set menu designs you can choose for your DVD. For this tutorial, I want to show you how to create a custom menu with your own image and font type.

Drag this icon to the right to determine where your video will begin. To create chapters, select the matching Blank submenu and drag it down to the menu list. The Chapter Wizard will automatically add your chapters. To make adjustments, you can manually drag the chapter icon to where you want to place each one.

The thumbnails on the preview pane align with where you have your chapters set up on the timeline. Select the Create link button. This will add an extra chapter to your timeline. Click on the main menu once again, then click on the Edit button under the preview pane. You can edit the submenu just as you did with the main menu by clicking on the submenu icon, then click Edit. Your email address will not be published. Try the software for 30 days at no cost or commitment.

Get started for FREE. Our weekly newsletter is filled with the latest tutorials, expert advice, and the tools you need to take your creative projects to the next level. Sign up today. Skip to primary navigation Skip to main content Skip to footer. Download Resources. See More Tutorials.

Download these free resources: Written tutorial PDF, 1. Tools You Need. Just add your photos or video clips to this Pinnacle Studio project package.

Pinnacle Studio 25 Ultimate Edit like a pro with Pinnacle Studio 25 Ultimate, a fully-loaded, advanced video editing suite with pro-caliber tools, premium plugins and creative effects. Film Reel Motion Titles Give your video projects a true and instantly recognizable classic cinema vibe with these six Film Reel motion graphics. Pinnacle Studio 25 Plus Experience advanced video editing with Pinnacle Studio 25 Plus and tap into pro-caliber tools, creative effects, and powerful keyframing controls.

Particle Animated Overlays Make shimmering particles dance and spin across your screen and add some glow to your video projects with this 4-pack of Particle overlays.

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Pinnacle Studio Ultimate Review – Review – PCMag Middle East

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– Pinnacle studio 18 ultimate tutorial pdf free

Pinnacle Studio Ultimate é a ferramenta fácil de usar para a criação de aparência profissional 4x/8x x4=x:”84}:2“‚18x¥x1‰x User Manual: pinnacle Studio – – User Guide Free User Guide for Pinnacle Studio Software, Manual. Open the PDF directly: View PDF PDF. Page Count: Pinnacle Studio 18 Ultimate steps up the power with unlimited PDF User Guide, and video tutorials on YouTube from Pinnacle and others.


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There’s an enormous and customizable assortment of keyboard shortcuts. For those who want the ultimate control, Pinnacle lets video editors time every kind of effect and adjustment with keyframes.

Keyframing lets you evenly increase or decrease an effect over time. Once you’ve got a video project set up the way you want, you can save it as a template from the File menu.

You specify which clips should become placeholders, which you can fill in subsequent projects with different clips. As of version 23, you can now reuse a project as a nested clip. This is useful for intros and outros, which you use over an over again, especially if you produce a social video series.

This collapses all the selected clips into one, letting you edit it as a unit. The interface makes no specific concession to touch input, which I find useful for scrubbing, changing value sliders, and tapping control buttons.

That said, scrubbing the timeline by finger did work acceptably. The software now fully supports high-resolution monitors; in testing previous versions, some elements appeared tiny on my 4K touch screen monitor, but that’s no longer the case. Rather than integrated help, you get an online PDF that’s still better than Adobe’s unimpressive web help, which shows info for other products and from non-staff users.

In general, however, Pinnacle’s interface is more accessible than those of some competing video editors. Pinnacle uses a magnetic timeline, so any clip you drag and drop into it snaps to any existing clips, and you can turn that behavior off, if you prefer. Dropping a clip inside another splits the original one, and a razor icon offers clip splitting, as well. One thing missing is a button to drop a selected clip into the timeline at the current insertion point—most editors have this.

The Trim Mode button or just double-clicking a join point opens a second preview window so you can see the first and second clips’ states at the trim point. This is supposed to help with effecting slip and slide trims, but I find it less intuitive than the trimming windows of CyberLink PowerDirector and VideoStudio, among other apps. Three- and four-point editing offer more in- and out-point precision.

You switch into this editing mode from the same button on the right side that switches among Smart Editing, Insert, Replace, and Overwrite modes. With the three-point option, you specify in and out points on the timeline, and an in or out point in the source clip.

This way, when you insert the clip onto the timeline it will be fit to your specification. Two insertion buttons appear on the source window: Keep Speed and Fit to Duration. The second of these stretches the source clip to fit the target area in the timeline. The four-point option lets you specify in and out points on both the source and the timeline.

When you use that, if your source selection is longer than the spot on the timeline you’ve marked, you see a dialog asking whether you want to align the source clip with the beginning or end of the timeline points, and whether to trim the source or overwrite the timeline. If you choose the Fit to Duration button, your source clip is sped up or slowed down to fit the marked area in the timeline exactly.

I see how these could be useful options and less haphazard than simply dragging source onto the timeline. In particular, the time stretching to fit a marked area saves you time. Dog-eared corners of adjacent clips let you adjust transition lengths between them. You can also enable dynamic-length transitions, or just stick with transitions of set lengths. Cross-fades are accessible right on the timeline via the transition dog ears, but the place from which you get your fancier transitions is somewhat hidden, compared with how other video editors present it.

They’re also not as simple to add to timeline clips, with no automatic duration option. Sometimes I dragged a transition between clips in my testing and the app didn’t add anything. There is, however, a very full selection of transitions, grouped as 2D-3D, Artistic, Alpha Magic, and more. The Seamless Transition tool implements an effect that’s all the rage among amateur videographers. As Davonte Douglas explains in this tutorial, you don’t even need software to make seamless transitions, but software can in fact make them even smoother and more impressive.

The seamless transitions in Pinnacle Studio work like any other transitions: You just drag them from the source panel down between clips.

You get choices for downward, left-to-right, and upward motion between clips, along with variations for rotation during the transition. You can fine-tune the motion by placing similar areas in selection boxes. The Morph transition lets you draw guides in the first and second videos to affect the transition.

It’s not quite as impressive as Final Cut Pro X’s Flow transition, which blends jump cuts—for example, you might seamlessly cut a few words or even a sentence out of a single clip of interview. The Pinnacle Morph transition is pretty much a crossfade that lets you add blurry motion between clips.

With the Wide-Angle Lens Correction feature, you simply double click on a source clip, and then choose that option from the top menu. There are six GoPro presets, but you can also manually adjust the geometry, making sure lines that should be straight are indeed rectilinear—an issue with GoPro’s wide-angle lenses. There’s a new Mask button right above the source panel offering access to two kinds of mask: Shape masks and Panel masks.

The first sort can only create one 2D effect, but Panel masks can be manipulated with 3D motion effects. You can create masks starting from a square, circle, pen, brush, text, or Magic Wand selection. The last option is tricky to get an effective mask with; it took me several tries to get one that worked. Each time you click on the image with the tool enabled, it unselects what you previously selected.

Thankfully, there’s an Eraser tool that lets you refine the selection. Once you’ve got a mask selected, you can use it with an Opacity function with a feathering adjustment. Alternatively, you can apply any of these functions to the Matte, or the unselected background. That last lets you choose a color filter from a color picker. Text masks are a fun option, also available in CyberLink PowerDirector.

You get loads of font options, as well as adjustments for alignment, rotation, and positioning. Panel masks, as mentioned, can be manipulated in 3D using keyframes. They differ from regular masks in that you can only have one panel associated with a track, and you choose an Asset—that is, a clip or image—for the mask.

You can get to Pinnacle Studio’s Motion Tracking tool either by right-clicking on a track or by double-clicking on the clip in the timeline to open the Effects window. First you mask the object you want to track, and then you actually have the program track it. Its sounds simple, but in truth the process is a little dicier than in some other software. On my all-in-one PC with a 4K display it took a few tries to get it to follow my masked biker, and after many attempts, I still couldn’t achieve reliable tracking.

On a system with a standard HD display, the tracking worked fine. All such tools have difficulty tracking objects when the background confuses the issue, but in my tests Pinnacle’s lost the tracked object more often than the competition—even Corel’s own VideoStudio. Some type of step-by-step wizard would help.

The tool does offer Mosaic and Blur options, something you’ll often want to do in a video for things like obscuring faces, license plates, branded items, or naughty bits. You can either do some basic editing while maintaining the degree aspect or convert the to standard 2D view. I tested footage from the latter. Confusingly, you have to add the clip to the timeline first and then right-click on it and choose Add as or to-Standard.

Several of my sample clips didn’t play at all in the app, even though I could view them in Windows’ Movie Player. When editing degree content, you see two windows with two tabs, a degree source and a preview window with the 2D end result.

You can pan around the scene either in the source window with a crosshairs control or just click and drag the mouse pointer around in the preview window to change the viewing angle.

The program did a good job of straightening out my 4K degree test content in double fisheye format. If you want the content to remain in degrees, you’re limited to basic trimming, fade transitions, and titles.

After adding titles, you also have to choose Add as , if you want that mode retained. I had trouble moving a title, which landed in the center of the video and didn’t display in Preview mode. Stabilization isn’t an option for video, though it’s still available from the menus. Luckily, Pinnacle offers to let you continue editing the last project you were working on upon restarting. As of version 22, you can create tiny planet and rabbit hole effects with your degree content.

These are fun effects, and you can even animate things like the zoom, rotation, and even transition from tiny planet to rabbit hole or vice versa. New in version 23 is freeze-frame for degree footage. I confirmed that this works by right-clicking at the insertion point and choosing Time Freeze and then entering a number of seconds in a dialog box.

Like its stablemate Corel VideoStudio , Pinnacle Studio lets you simultaneously edit multiple clips of the same event shot at different angles. The base version allows two camera angles, Plus makes it four, and Ultimate gives you six. The tool did a good job of aligning my clips using their audio tracks, but you can also align using time codes and markers.

As with all these tools, you switch among angles by tapping a clips box in a grid. There are even boxes for switching to clear and to black, which is great if you want to add B-roll later. When you hit OK, a new clip shows up in your project, not in the timeline. I like that you can right-click and choose Edit Movie to fine-tune angle shifts in a timeline or even reopen it in the multicam switcher window. Some multicam tools, such as that in VideoStudio, simply create a new clip that’s not adjustable after the fact.

Stop Motion is one of the most appealing types of animation, in my book. The Pinnacle tool lets you control a connected camera to take shots automatically at time intervals you specify, and it can even show ghost images of your last shot so you know how to position the next one. You can then send the captures to the timeline and adjust duration and apply any other editing. The tool now includes DSLR support, and circular guides that tell you how far to move an object to have it cross the screen in a specified time period between 0.

Pinnacle claims to offer more than 2, effects. That’s more than anyone really needs, and many are duplicates with transitions or, worse, just goofy overlays. Pinnacle would do better to trim out the fat and combine the duplicates to make effects easier to find and use.

Color Grading. The Standard and Plus editions add some basic color adjustments, but Ultimate offers pro-level color grading. Basic offers White Balance, Tone which includes exposure, contrast, and other lighting options , and Basic Settings vibrance, saturation, clarity, and haze correction.

You can even apply the very pro-level LUTs lookup tables for color mapping. Pinnacle now includes 34 LUTs, letting you make your movie look like Pandora, Moonlight, or one of many black-and-white effects. You can also get LUTs from high-end video camera companies if you shoot with those. I was able to test this with a LUT in. CUBE file type, and it correctly applied a horror movie look to the clip. The Tone Curve tool, like Photoshop’s, lets you change lighting for effects, correction, or contrast adjustments.

HSL hue, saturation, lighting lets you change the color intensity and brightness separately for eight colors. One issue I had in testing this tool was that I couldn’t see the effect until moving the play head. That’s not a big deal, but it isn’t ideal.

The Color interface also can display a video scope in four modes: waveform, vector, histogram, and RGB parade. Professional editors are familiar with these views of color information, though they’re of less use to amateurs. New for version 23 is the ability to show vectorscopes for a selected range of colors, for example, skin tones. To make this happen, you use a brush to mark the areas of your image for which you want to see the scope.

The program reliably crashed when I tried to use this tool, however. Also new for Color in Pinnacle Studio 23 is the ability to copy and paste color settings.

There’s no menu choice for this, but hitting Ctrl-C while the color adjustment panel was active indeed let me copy the settings to another clip.

The Color Wheels view lets you adjust saturation and hue separately for each of three tonal ranges: Highlights, Midtones, and Shadows, as well as applying an overall color shift. I literally have to leave it over night and then I’m lucky if it didn’t crash over night. Back in the day I used Pinnacle Liquid. That was a masterpiece of editing software. Did everything it said it would without a hitch.

This software has ruined that great legacy. I loved liquid also, nothing like it, I have used all the studios from 9 up.

I am running a fx asrock extreme 4 mb. I installed an AMD FX 8core with 8 gig of ddr3 memory, I have 6 1 tb drives and 2 burners, one blue ray and one lightscribe, and 3 21 in monitors, I have had no problems with 18 ultimate.

I am wondering deanobalino since it is a new laptop, if maybe you have a mismatch of 32, 64 bit pinnacle 18, or, some preloaded crap that they always do with new ones. You have a kick ass machine that should scream through everything. I don’t know your programming expertise, so please don’t be offended by my primitive suggestions, the divx drivers, hell any thing little and minor is the cause, i still fall back to the crap acer preloads, good luck.

Thank you Takimno1. Admittedly, my programming knowledge is weak. You are saying that there may be some software conflicts. Maybe what I shouhld do is just delete all the programs that were loaded by Acer onto my computer that I never use and see if that helps.

Regarding the mismatch of 32,64 bit, where would I be able to look at that using Windows 8? Any assistance would be appreciated. I’ve been using this product since it’s release. There were teething pains in the beginnning being that this, in reality, is a version 1 software in 64bit. But there have been several patches to update and fix major issues. My suggestion is if you are having any installation issues is to go to the Pinnacle User Forum for help.

It is staffed by extremely knowledgeable Moderators one even wrote a book on this version and a strong user base that actually use this product. I have the Ultimate version and have done complex projects with keyframing, color correction, etc.. There are those that have done even more complex projects with green screen, etc…. So again, my suggestion to you or anyone with any questions about the product, is to go to the User Forum.

The Plus and Ultimate offer more tracks and the same editing features, but the Ultimate contains more “bling” and can burn Bluray. Where to start? It was quite stable with few crashes and generally if it did the program would recover the file and you could carry on from where it crashed. Almost any part of the program would cause it crash, moving scenes, editing scene duration, adding titles, adding transitions, just about everything.

I have literally spent days trying to get this program to work anywhere near as it should, and if you do some research into Pinnacle Studio 18 problems you will find that many other people are having exactly the same problems. Please accept our apologies; the Pinnacle Systems eStore provides a period of 30 days from purchase for the evaluation of most products and your refund request for order falls outside that timeframe.

Sincerely, Jessica E. I believe they are way out of line as 1. Also I see that Pinnacle Version 19 is also plagued with the same problems.

If you decide to buy this program, then ensure if you are having problems with it to claim your money back before your 30 days is up. I totally agree with you — I had Pinnacle Studio 18 after 1 week I found it was so slow rendering even in a latest 3. It freezes and is unable to cope with more than 90mins hd mpeg2 footage. The render engine is only optimised for latest camera formats and does not function any where near a reasonable edit render time as other formats such as mp4 H.

If you have plenty of time to do even a basic edit then this will suffice. It froze just doing a cut on a clip, little blue circle for 30 seconds or more.

I applied for a full refund — after disputing with them on phone and several emails as I only had downloaded software for 7 days they said I was outside of their refund period of 30 days which is false. I reported it to watchdog TV.

I looked up on Google finding they are complained about very frequently as their customer fob off service is designed to wear their customers down to the point of giving up. Well I got most of my money back. I have not even bothered with Studio I wonder what incentive they give to those who rate their software as I feel it quite dishonest to deceive millions of people who may be looking for a descent editing of video software for consumers. Log into your account.

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