[] Brighten Video in Adobe Premiere Pro: A Complete Hack – About Color Correction effects

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Hi guys! I\’m editing using Filmora and decided to switch to Adobe Premiere Pro. Do you know free training/course that teaches from basics? Is there a book/pdf. This Guided Edit is a walkthrough on adjusting the brightness, contrast, and color in your video clips. To adjust these settings in your. Search for Brightness & Contrast, and drop it on your clip. In the Effect Controls panel, lower the Brightness. In the Effect Controls panel.
 
 

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You can find the color- and luminance-adjusting effects in the Color Correction bin inside the Video Effects bin. Although other effects also adjust color and luminance, the Color Correction effects are designed for making fine color and luminance corrections.

You apply the Color Correction effects to a clip the same way you apply all Standard effects. The effect properties are adjusted in the Effect Controls panel. The Color Correction effects and other color effects are clip-based. However, you can apply them to multiple clips by nesting sequences.

For information about nesting sequences, see Nest sequences. For information about scopes, see Waveform monitors and vectorscope. The following procedure is a general overview of applying the Color Correction effects. Read on to know more about making adjustments using the specific controls. Note: If the clip is already selected in a Timeline panel, you can drag the effect to the Video Effects area of the Effect Controls panel.

Optional Use the Tonal Range Definition control to define the shadow, midtone, and highlight areas in the clip. Optional Click the triangle to expand the Secondary Color Correction controls if you want to correct the exposure for a specific color or range of colors. Use the Eyedropper tool or the other Secondary Color Correction controls to specify the colors to correct.

Note: Use keyframing to animate your color correction adjustment. This is especially useful when the lighting changes in a clip. See also Adding, navigating, and setting keyframes. For more information, see Video Limiter effect.

The Fast Color Corrector and the Three-Way Color Corrector effects have controls to quickly balance colors so the white, grays, and black are neutral. The adjustment that neutralizes the color cast in a sampled area is applied to the entire image. This can remove the color cast in all colors. For example, if an image has an undesirable bluish cast, when you sample an area that should be white, the White Balance control adds yellow to neutralize the bluish cast.

This yellow adjustment is added to all the colors in the scene, which should remove the color cast in the entire scene. Note: If you only want to affect one color or a specific range of colors in the clip, use the Secondary Color Correction controls in the Three-Way Color Corrector. The Gray Balance control adjusts the sampled area to become a neutral gray and the Black Balance control adjusts the sampled area to become a neutral black.

Like using the White Balance control, these adjustments affect all the colors in the clip. Note: You can also click the color swatch next to the eyedroppers and use the Adobe Color Picker to select a sample color.

The Fast Color Corrector and the Three-Way Color Corrector effects have automatic controls for making quick adjustments to the luminance in a clip. See also Apply effects to clips. Raises the black levels in a clip so the darkest levels are above 7. A portion of the shadows is clipped and the intermediate pixel values are redistributed proportionately. As a result, using Auto Black Level lightens the shadows in an image. This makes the highlights appear darker and shadows appear lighter.

Lowers the white levels in a clip so the lightest levels do not exceed IRE. A portion of the highlights is clipped and the intermediate pixel values are redistributed proportionately.

As a result, using Auto White Level darkens the highlights in an image. Color balance is just what its name implies, balancing the red, green, and blue components to produce the desired color of white and neutral grays in the image.

Depending on the desired effect, you may not want the color balance in a clip to be completely neutral. Perhaps you want an intimate family scene to have a warm reddish color cast or maybe the scene in your crime documentary requires a cool bluish color cast. Rotates the color toward a target color. Moving the outer ring to the left rotates the colors toward green. Moving the outer ring to the right rotates the colors toward red. Controls the intensity of the color introduced into the video.

Moving the circle out from the center increases the magnitude intensity. The intensity can be fine-tuned by moving the Balance Gain handle. Affects the relative coarseness or fineness of the Balance Magnitude and Balance Angle adjustment. Keeping the perpendicular handle of this control close to the center of the wheel makes the adjustment very subtle fine. Moving the handle toward the outer ring makes the adjustment very obvious coarse.

Shifts the video color toward a target color. Moving the Balance Magnitude circle toward a specific hue shifts the color accordingly. The intensity of the shift is controlled by the combined adjustment of the Balance Magnitude and Balance Gain.

The Saturation slider controls the color saturation in the video. Moving the slider to 0 desaturates the image so only the luminance values show an image made up of white, grays, and black.

Moving the slider to the right increases the saturation. Although the following procedure uses the color wheel adjustments. The same adjustments can be made by entering numeric values or using the slider controls in the Fast Color Corrector and Three-way Color Corrector effects.

Note: The Three-way Color Corrector effect lets you make separate adjustments to the three tonal ranges using individual wheels for the shadows, midtones, and highlights. The curves adjustment of the Luma Curve and the RGB Curves effects, like the Levels sliders in the Fast Color Corrector and the Three-way Color Corrector effects, let you adjust the entire tonal range or just a selected range of colors in a video clip.

Areas outside the center define the level of color saturation. Adjusts primarily luminance. Keep in mind that adjusting the luminance does affect the perceived saturation of the colors. Note: If a clip is selected in a Timeline panel, you can drag the effect to the Video Effects section of the Effect Controls panel.

Note: As you make adjustments, watch carefully for banding, noise, or polarization in the image. If you notice any of these, reduce the value you are adjusting. In the Fast Color Corrector effect, control settings are applied to all three color channels in a clip.

The Three-way Color Corrector effect lets you apply the levels adjustments to the entire tonal range in the clip, a specific tonal range, or specific range of colors. Controls the resulting output of the shadows. The default is 0, where the pixels are completely black. Moving the slider to the right specifies a lighter value for the darkest shadow.

Controls the resulting output of the highlights. The default is , where the pixels are completely white. Moving the slider to the left specifies a darker value for the brightest highlight. This ensures that the levels are within broadcast standards. Maps the sampled tone to the setting of the Black Output slider. Click an area in the Program Monitor that you want to be the darkest value in the image.

You can also click the color swatch to open the Adobe Color Picker and select a color to define the darkest shadow in the image. Maps the sampled tone to a medium gray level This changes the intensity values of the middle range of gray tones without dramatically altering the highlights and shadows.

You can also click the color swatch to open the Adobe Color Picker and select a color to define the medium gray in the image. Maps the sampled tone to the setting of the White Output slider. Click an area in the Program Monitor that you want to be the lightest value in the image. You can also click the color swatch to open the Adobe Color Picker and select a color to define the lightest highlight in the image. Maps the input black level to the setting of the Black Output slider.

By default, the Output black slider is set to 0, where the pixels are completely black. Controls the midtones and changes the intensity values of the middle range of gray tones without dramatically altering the highlights and shadows. Maps the input white level to the setting of the White Output slider.

By default, the Output white slider is set to , where the pixels are completely white. You can use the Adobe Color Picker to set target colors in some color and tonal adjustment effects. This is useful for viewing how the different color modes describe a color. In the Adobe Color Picker, you can select colors based on the HSB hue, saturation, brightness , RGB red, green, blue , HSL hue, saturation, luminance , or YUV luminance and color difference channels color models, or you can specify a color based on its hexadecimal values.

Selecting the Only Web Colors option configures the Adobe Color Picker so that you can choose only from wheelbase colors. Displays all hues in the color slider.

Selecting a hue in the color slider displays the saturation and brightness range of the selected hue in the color spectrum, with the saturation increasing from left to right and brightness increasing from bottom to top. Displays all hues in the color spectrum with their maximum brightness at the top of the color spectrum, decreasing to their minimum at the bottom. Displays all hues in the color spectrum with their maximum saturation at the top of the color spectrum, decreasing to their minimum saturation at the bottom.

Displays the red color component in the color slider with its maximum brightness at the top of the slider and its minimum brightness at the bottom. When the color slider is set to minimum brightness, the color spectrum displays colors created by the green and blue color components. Using the color slider to increase the red brightness mixes more red into the colors displayed in the color spectrum. Displays the green color component in the color slider with its maximum brightness at the top of the slider and its minimum brightness at the bottom.

 

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Adobe Premiere Pro CC Video Editing Course Beginners To Pro — Udemy — Last updated 5/ — Free download. Fine tune the mask by adjusting the saturation. We\’ve put together a comprehensive list of free Premiere Pro CC presets followed by helpful steps to create and edit your own. This Guided Edit is a walkthrough on adjusting the brightness, contrast, and color in your video clips. To adjust these settings in your.