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Setting the playback resolution 4. Playing back VR video 5. Using markers 6. Using Sync Lock and Track Lock 7. Finding gaps in the sequence 8. Selecting clips 9. Moving clips Extracting and deleting segments What are transitions? Using handles 4. Adding video transitions 5. Adding audio transitions 7. Performing a four-point edit 3. Changing clip playback speed 4. Replacing clips and media 5.

Nesting sequences 6. Performing regular trimming 7. Performing advanced trimming 8. Trimming in the Program Monitor 9. Adjusting the Motion effect 3. Changing clip position, size, and rotation 4. Working with keyframe interpolation 5. Applying the Auto Reframe effect 6. Adding a drop shadow 7. Setting up the interface to work with audio 3.

Examining audio characteristics 4. Recording a voice-over track 5. Adjusting audio volume 6. Auto-duck music 7. Creating a split edit 8. Adjusting audio levels for a clip 9. Improving audio with the Essential Sound panel 3. Adjusting dialogue audio 4. Review questions 5. Working with visual effects 3. Applying master clip effects 4. Masking and tracking visual effects 5. Keyframing effects 6. Using effect presets 7. Exploring frequently used effects 8. Using the Render And Replace command 9.

Understanding display color management 3. Following the color adjustment workflow 4. Using Comparison view 5. Matching colors 6. Exploring the color-adjustment effects 7. Fixing exposure problems 8. Correcting color offset 9.

Using special color effects Creating a distinctive look What is an alpha channel? Making compositing part of your project 4. Working with the Opacity effect 5. Adjusting alpha channel transparencies 6. Color keying a greenscreen shot 7. Partially masking clips 8. Review questions 9.

Exploring the Essential Graphics panel 3. Mastering video typography essentials 4. Creating new titles 5. Text styles 6. Working with shapes and logos 7. Making a title roll 8. Working with motion graphics templates 9. Adding captions Understanding the media export options 3.

Exporting single frames 4. Exporting a master copy 5. Working with Adobe Media Encoder 6. Uploading to social media 7. Exchanging with other editing applications 8. Final practice 9. Index Glossary Using the File menu 3. Using the Project Manager 4. Performing the final project management steps 5. Importing projects 6. Importing from projects with the Media Browser 7.

Managing collaboration 8. Using the Libraries panel 9. Managing your storage Review answers 1. B All rights reserved. Adobe Press is an imprint of Pearson Education, Inc. For the latest on Adobe Press books, go to www.

If this guide is distributed with software that includes an end user license agreement, this guide, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license.

Except as permitted by any such license, no part of this guide may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Adobe.

Please note that the content in this guide is protected under copyright law even if it is not distributed with software that includes an end user license agreement. The content of this guide is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe. Adobe assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. Please remember that existing artwork or images that you may want to include in your project may be protected under copyright law.

The unauthorized incorporation of such material into your new work could be a violation of the rights of the copyright owner. Please be sure to obtain any permission required from the copyright owner. Any references to company names in sample files are for demonstration purposes only and are not intended to refer to any actual organization.

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Go to www. Sign in or create a new account. Click Submit. Note If you encounter problems registering your product or accessing the lesson files or web edition, go to www. Answer the questions as proof of purchase. The lesson files can be accessed through the Registered Products tab on your Account page.

Click the Access Bonus Content link below the title of your product to proceed to the download page. Click the lesson file links to download them to your computer. Note If you purchased a digital product directly from www. However, you still need to follow the registration steps and answer the proof of purchase question before the Access Bonus Content link will appear under the product on your Registered Products tab.

There are project files for most of the lessons, and an Assets folder containing multiple media files. You will need to copy the entire Lessons folder to your hard drive before you can begin the lessons.

This will require about 7 GB of storage, so make sure you have sufficient free space on your storage device before beginning. See the Getting Started section at the beginning of this book for more detailed instructions.

The video clips and other media files provided with this book are practice files, provided for your personal, educational use in these lessons only. You are not authorized to use these files commercially or to publish, share, or distribute them in any form without written permission from Adobe Systems, Inc. Do not share videos created with these lesson files publicly. This includes, but is not limited to, distribution via social media or online video services including YouTube and Vimeo.

You will find a complete copyright statement on the copyright page at the beginning of this book. Acknowledgments Producing effective learning materials for such an advanced technology is a team effort. Friends, colleagues, fellow filmmakers, and technology experts have all contributed to this book.

As each draft lesson was completed, and with the helpful guidance of Laura Norman, the most amazing and highly experienced Victor Gavenda checked over the text to make sure it was ideally accessible for learners, and all references to the technology were reviewed by the remarkable media technology expert Jarle Leirpoll, who has an incredible depth of knowledge of Premiere Pro.

I tip my hat to Linda Laflamme for spotting typos we would otherwise have missed. Some of the content of this book is derived from material originally written by the world-renowned media trainer Richard Harrington. It supports a broad range of video, audio, and image formats. Premiere Pro lets you work faster and more creatively without converting your media. The complete set of powerful and exclusive tools lets you overcome any editorial, production, and workflow challenges to deliver the high-quality work you demand.

Importantly, Adobe has carefully developed a user experience that is intuitive, flexible, and efficient, with unified design elements that match across multiple applications, making it easier to explore and discover new workflows. The lessons are designed so that you can learn at your own pace. This book also teaches many advanced features, including tips and techniques for using the latest version of this software.

The lessons in this edition include opportunities for hands-on practice using features such as chromakeying, dynamic trimming, color correction, media management, audio and video effects, and audio mixing. Premiere Pro is available for both Windows and macOS. You can view updated system requirements here: helpx.

For example, you should know how to use the mouse and standard menus and commands and also how to open, save, and close files. If you need to review these techniques, see the documentation included with your Windows or macOS system.

For system requirements and complete instructions on installing the software, visit www. You can purchase Adobe Creative Cloud by visiting www. Follow the on-screen instructions. Adobe Media Encoder is installed automatically when you install Premiere Pro. These are all included with the full Adobe Creative Cloud license. A fast processor and a lot of memory will make your editing experience faster and more efficient.

This translates to a more fluid and enjoyable creative experience—that is, more creative flow. Premiere Pro takes advantage of multicore processors CPUs and multiprocessor systems. The speed of the storage drives you use for video playback is also a factor. A dedicated fast storage drive is recommended for your media. Storing your media files and program files on the same hard drive can affect performance.

Keep your media files on a separate disk, if possible, for speed and media management. GPU acceleration provides a significant performance improvement, and most video cards with at least 2 GB of dedicated memory will work. You will find information about hardware and software requirements on the Adobe website at helpx. You will need about 7 GB of storage space for the lesson files.

Right-click the folder called Lessons and choose Copy. Navigate to the location you have chosen to store your Premiere Pro projects, right-click, and choose Paste. Because you are copying the files to a new location, you may need to update those links when you open projects for the first time. Note If media files were originally stored in multiple locations, you may need to search more than once to relink all the media for a project.

If you open a project and Premiere Pro is unable to find a linked media file, the Link Media dialog box may open, inviting you to relink offline files.

If this happens, select an offline clip on the list and click the Locate button. A file browser panel will appear. Locate the Lessons folder using the navigator on the left and click Search.

Premiere Pro will locate the media file inside the Lessons folder. To hide all other files, making it easy to select the correct one, select the option to display only exact name matches. The last known file path and file name and the currently selected file path and file name are displayed at the top of the panel for reference.

Select the file and click OK. Each lesson stands alone, but many build on previous lessons. For this reason, the best way to learn from this book is to proceed through the lessons one after another. The lessons teach you new skills in the order you might normally use them.

The lessons begin with acquiring media files such as video, audio, and graphics; and they go on to creating a rough-cut sequence, adding effects, sweetening the audio, and ultimately exporting the project. As you explore the skills described in this book, you may find it helpful to review earlier lessons you have already completed and to practice the fundamental editing techniques regularly.

The advanced workflows build on fundamental principles introduced early on, and taking a few moments to recap earlier lessons makes it easier to discover the common principles that apply. Ultimately this practice makes you better at training yourself. The focus of this book is on the technical skills editors use every day to produce film, television, and online videos. Taking time to try out different ways of achieving results can help to expand your artistic skills.

As you learn new technical skills, watch videos created by experienced editors with a critical eye and see if you can identify the technical workflow they employed. More often than not, the most impactful techniques are the simplest, once you know the workflow. Practice makes perfect! These include: Lesson files To work through the projects in this book, you will need to download the lesson files by following the instructions below.

Web Edition The Web Edition is an online interactive version of the book providing an enhanced learning experience. Your Web Edition can be accessed from any device with a connection to the Internet, and it contains the following: The complete text of the book Hours of instructional video keyed to the text Interactive quizzes Accessing the lesson files and Web Edition You must register your purchase on adobepress. Answer the question as proof of purchase. The lesson files can be accessed from the Registered Products tab on your Account page.

Click the lesson file link s to download them to your computer. Click the Launch link to access the product. Note: If you purchased a digital product directly from www. Only the commands and options used in the lessons are explained in this book. For comprehensive information about program features and tutorials, refer to the following resources, which you can reach by choosing commands from the Help menu.

Adobe Premiere Pro Learn and Support: helpx. You can also access tutorials from the Home screen by clicking Learn. A different set of tutorials is provided inside Premiere Pro on the Learn panel.

Premiere Pro blog: theblog. Creative Cloud tutorials: For inspiration, key techniques, cross-product workflows, and updates on new features, go to the Creative Cloud tutorials page, helpx. Adobe Forums: Tap into peer-to-peer discussions, questions, and answers on Adobe products at forums. Visit the Premiere Pro forum at forums. Adobe Create: The online magazine Create offers thoughtful articles on design and design issues, a gallery showcasing the work of top-notch designers, tutorials, and more.

Check it out at create. Resources for educators: adobe. Find solutions for education at all levels, including free curricula that use an integrated approach to teaching Adobe software and that can be used to prepare for the Adobe Certified Associate exams.

Also, check out these useful sites: Adobe Exchange: www. Adobe Premiere Pro product home page: adobe. A directory of AATCs is available at learning. Understand the standard digital video workflow.

Enhance the workflow with high-level features. Check out the workspaces. Customize workspaces. Set keyboard shortcuts. This lesson will take about 60 minutes to complete. To get the lesson files used in this chapter, download them from the web page for this book at www. Store the files on your computer in a convenient location.

Adobe Premiere Pro is a video-editing system that supports the latest technology and cameras with powerful tools that are intuitive to use and that integrate perfectly with almost every video acquisition source. Despite rapid change in camera systems and the distribution landscape, particularly with the development of highly influential social media, the goal of video editing is the same: You want to take your source footage and shape it, guided by your original vision, so that you can effectively communicate with your audience.

Like a word processing application, Premiere Pro lets you place, replace, and move video, audio, and images anywhere you want in your final edited work. You can edit any part of the sequence in any order and then change the contents or move clips so that they play earlier or later. You can blend layers of video together, change the image size, adjust the colors, add special effects, adjust the audio mix, and more. You can combine multiple sequences and jump to any moment in a video clip or sequence without needing to fast-forward or rewind.

Note The word clip comes from the days of celluloid film editing, where a section of film would be clipped to separate it from a reel.

Each stage requires a particular kind of attention and different tools. Also, some projects call for more time spent on one stage than another. Whether you skip through some stages with a quick mental check or spend hours even days! Acquire your media: This can mean recording original footage, creating new animated content, selecting stock media, or gathering a variety of assets for a project.

Ingest the video to your editing storage: With file-based media, Premiere Pro can read the media files directly, usually with no need for conversion. With tape-based formats, Premiere Pro with the appropriate hardware can convert the video into digital files. For video editing, use fast storage for smooth playback. Organize your clips: Your project may have a lot of video content to choose from. Invest the time to organize clips into special folders called bins in your project.

You can add color labels and other metadata metadata is additional information about the clips to help keep things organized. Create a sequence: Selectively combine the parts of the video and audio clips you want into one or more sequences. Add transitions: Place special transition effects between clips, add video effects, and create composite visuals by placing clips on multiple layers called tracks in the Timeline panel. Create or import titles, graphics, and captions: Add them to your sequence along with your video clips.

Adjust the audio mix: Adjust the volume of your audio clips to get the mix just right, and use transitions and effects on your audio clips to improve the sound. Output: Export your finished project to a file or videotape. Premiere Pro supports each of these steps with industry-leading tools. A large community of creative and technical professionals is waiting to share their experience and support your development as an editor.

Enhancing the workflow with Premiere Pro Premiere Pro has easy-to-use tools for video editing. It also has advanced tools for manipulating, adjusting, and fine-tuning your projects. You may not make use of all of the following features in your first few video projects. Still, this book will enable you to fully postproduce professional projects and get you ready to take your skills to the next level.

The following topics will be covered: Advanced audio editing: Premiere Pro provides audio effects and editing tools unequaled by any other nonlinear editor. As well as producing a soundtrack mix, you can clean up noisy audio, reduce reverb, make sample-level edits, apply multiple audio effects to audio clips or whole tracks, and use state-of-the-art Virtual Studio Technology VST plug-ins.

Color correction and grading: Correct and enhance the look of your footage with advanced colorcorrection filters, including Lumetri, a dedicated color correction and grading panel. You can make secondary color-correction selections that allow you to adjust isolated colors, adjust selected areas of an image to improve the composition, and automatically match the colors in two images.

Keyframe controls: Premiere Pro gives you precise control over the timing of visual and motion effects without using a dedicated compositing or motion graphics application. Broad hardware support: Choose from a wide range of compatible input and output hardware. GPU acceleration: The Mercury Playback Engine operates in two modes: one that uses only software running in the central processing unit CPU for playback and one that uses graphics processing unit GPU acceleration for enhanced playback performance.

GPU acceleration mode requires a graphics card that meets minimum specifications in your workstation. See helpx. Most modern cards with a minimum of 2 GB of dedicated video memory will work. Multicamera editing: You can quickly and easily edit productions shot with multiple cameras. Multiple camera sources are displayed in a split-view, and you can choose a camera view by clicking the appropriate screen or using shortcut keys.

You can automatically sync multiple camera angles based on clip audio or timecode. Project management: Manage your media using a single dialog box. View, delete, move, search for, and reorganize clips and bins. Consolidate your projects by copying just the media used in sequences to a single location, and then reclaim storage space by deleting unused media files. Metadata: Premiere Pro supports Adobe XMP, which stores additional information about media as metadata that multiple applications can access.

You can use this metadata to locate clips or communicate important information, such as preferred takes or copyright notices. Creative titles: Create titles and graphics with the Essential Graphics panel.

You can also use graphics created in almost any suitable software. For instance, you can import Adobe Photoshop files as flattened images or as separate layers that you can combine or animate selectively. You also can import and adjust Adobe After Effects motion graphics templates. Advanced trimming: Use dedicated trimming tools to make precise adjustments to the start and end of clips in sequences. Premiere Pro provides quick, easy trimming keyboard shortcuts, as well as advanced onscreen trimming tools to make complex timing adjustments to multiple clips.

Media encoding: Export your sequence to create a media file that is perfect for your needs. Use the advanced features of Adobe Media Encoder to create copies of your finished sequence in multiple formats, based on presets or your own detailed specifications.

You can apply color adjustments, timing changes, and information overlays during export, as well as upload media to social media platforms in a single step. Premiere Pro is part of Adobe Creative Cloud, which means you have access to several other specialized tools. Understanding the way these software components work together will improve your efficiency and give you more creative freedom.

The software set has everything you need to produce advanced, professionally finished videos. Adobe After Effects: The popular tool of choice for motion graphics, animation, and visual effects artists. Adobe Character Animator: A tool for creating advanced animation with natural movement for 2D puppets using your webcam for face tracking. Adobe Photoshop: The industry-standard imageediting and graphics-creation product. You can work with photos, video, and 3D objects to prepare them for your project.

Adobe Audition: The powerful system for audio editing, audio cleanup and sweetening, music creation and adjustment, and multitrack mix creation. Adobe Illustrator: Professional vector graphicscreation software for print, video, and the Web. Adobe Media Encoder: A tool that allows you to process files to produce content for any screen directly from Premiere Pro, After Effects, and Audition.

Adobe Dynamic Link: A cross-product technology that enables you to work in real time with media, compositions, and sequences shared between After Effects, Audition, and Premiere Pro. Here are a few scenarios: Use Photoshop to touch up and apply effects to still images and layered image compositions from a digital camera, a scanner, or a video clip. Then use them as source media in Premiere Pro.

Changes made in Photoshop update in Premiere Pro. Send clips directly from the Premiere Pro timeline to Adobe Audition for professional audio cleanup and sweetening. Changes made in Audition update in Premiere Pro.

Send an entire Premiere Pro sequence to Adobe Audition to complete a professional audio mix, including compatible effects and level adjustments; the session can contain video so you can compose and adjust levels in Audition based on the action. Apply special effects, add animation, and add visual elements in After Effects. Adjustments made in After Effects appear in Premiere Pro immediately. Use After Effects to create motion graphics templates that are directly editable in Premiere Pro.

Dedicated controls allow specific types of changes to be made while retaining the original look and feel of the template. Use Adobe Media Encoder to export video projects in multiple resolutions and codecs for display on websites, display via social media, or archiving.

You can use the built-in presets, effects, and social media support to upload directly from Premiere Pro to social media platforms. Naturally, most of this book focuses on workflows involving only Premiere Pro. However, sidebars will explain ways to include Adobe Creative Cloud components in your workflows for additional effects work and finishing.

To make it easier to configure the user interface, Premiere Pro includes workspaces. Workspaces quickly configure the various panels and tools onscreen in ways that are helpful for particular activities, such as editing, special effects work, or audio mixing. Next, launch Premiere Pro. The Home screen appears. The first few times you launch Premiere Pro, the Home screen shows links to online training videos that will help you get started.

The Home screen shows links to online training videos when you first start using Premiere Pro. If you have opened projects previously, a list will appear in the middle of the Home screen. You can hover the pointer over a recent item to see the project file location in a pop-up window. As your list of recent projects gets longer, the links to online training videos are removed to make room for the list. A Premiere Pro project file contains all your creative decisions for a project, links referred to as clips to your selected media files, sequences made by combining those clips, special effects settings, and more.

Premiere Pro project files have the extension. Whenever you work in Premiere Pro, you will be making adjustments to a project file. You need to create a new project file or open an existing one to use Premiere Pro. There are a few important buttons on the Home screen, some of which look like text but can actually be clicked look out for text that works as a button in the Premiere Pro interface : New Project creates a new empty project file.

Open Project enables you to open an existing project by browsing your storage drive for the project file. Home takes you back to this screen if you have clicked Sync Settings or Learn. Sync Settings allows you to synchronize your user settings across multiple computers. Any projects you created with Premiere Rush will be available here, as long as you used the same login as for Premiere Pro. Try opening an existing project: 1.

Click Open Project. In the file navigation dialog box that appears, navigate to the Lessons folder; then double-click the Lesson Leave the file open for the next exercise. After you open an existing project file, a dialog box may open asking where a particular media file is. Select Locate, at the bottom right. Premiere Pro will locate the missing file and highlight it on the right side of the window.

Select the file, and click OK. Premiere Pro will remember this location for other missing files and relink them automatically without your needing to link each one individually.

With Lesson Save a copy of the project with the name Lesson 01 Working. This project contains a number of video clips. Note Unlike other panels, the Timeline panel does not include its own name in its heading.

Instead, the name of the current sequence is shown. This works the same way as the playhead when viewing video files in a player.

Drag the playhead to the far left of the Timeline panel. Press the spacebar to play the current sequence. The Program Monitor top-right corner of the Premiere Pro interface displays the contents of the sequence. In the lower-left corner of the Premiere Pro interface, you will find the Project panel, which contains clips and other assets associated with the current project. The panel name includes the current project name, Project: Lesson 01 Working.

The lower-left corner of the Project panel holds a series of buttons that you use to select different ways of viewing the contents of the panel. Icon View makes it easier to identify clips based on their contents.

Drag the clip with the name JD. Be sure to drag it by the thumbnail image and not the clip name. Release the new clip at the end of the existing series of clips already in the Timeline panel. Scroll down in the Project panel and find several more clips of your choice to add to the sequence.

Drag each one into the sequence. At any time, you can position the Timeline playhead at the beginning of the sequence at its left end , and use the spacebar to start and stop playback. When you have finished adding several clips to the sequence, play through it to see the result. You can place the Timeline playhead anywhere and play from that moment.

There is one item you will not be able to drag from the Project panel into the sequence: the sequence itself, called Desert Montage. The Project panel contains both clips and sequences. You can have as many sequences as you like in a project, and they are identifiable by the icon in the lower-right corner of the clip thumbnail , which shows multiple clips combined.

You edited a sequence! Exploring workspaces The Premiere Pro interface is divided into panels. Each panel has a particular purpose. For example, the Effects panel lists all the effects available for you to apply to clips, while the Effect Controls panel gives you access to the settings for those effects. A workspace is a preset arrangement of panels, organized to make particular tasks easier. Every panel is accessible from the Window menu, but workspaces are a quicker way to access several panels and have them laid out exactly as you need them, in a single step.

Then, to reset the Editing workspace, click the small panel menu icon next to the Editing option on the Workspaces panel, and choose Reset To Saved Layout. Notice the various workspace names displayed in the Workspaces panel. Things become simpler when you know what the buttons are for. The interface is designed to make video editing easy, so commonly used controls are immediately accessible. Workspaces consist of panels, and you can save space by gathering several panels into a panel group.

The names of all the panels in the group are displayed across the top. When many panels are combined, you may not be able to see all their names. If this is the case, a list of all the panels in the group becomes available. Click the chevron in the upper-right corner of the panel group to access a panel. The principal elements are shown here. Some of the important interface elements include: Project panel: This is where you organize your clips these are the links to your media files , sequences, and graphics in bins.

Bins are similar to folders—you can place one bin inside another for more advanced organization of your project. You view and work on sequences the term for video segments edited together in the Timeline panel. One feature of sequences is that you can nest them place one sequence inside another sequence. Combining sequences this way, you can break up a production into manageable chunks or create unique special effects. Tracks: You can layer—or composite—video clips, images, graphics, and titles on an unlimited number of tracks.

Video and graphic clips on upper video tracks cover whatever is directly below them on the timeline. Therefore, you need to give clips on higher tracks some form of transparency or reduce their size if you want clips on lower tracks to show. Monitor panels: Use the Source Monitor on the left to view and select parts of clips your original footage.

To view a clip in the Source Monitor, doubleclick its icon in the Project panel. The Program Monitor on the right shows the contents of your current sequence, displayed in the Timeline panel. Media Browser: This important panel allows you to browse your storage to find media to import into your project. Libraries: This panel gives access to custom Lumetri color Looks, motion graphics templates, graphics, and shared libraries for collaboration. It also acts as a browser and store for the Adobe Stock service.

For more information, go to helpx. Effects panel: This panel contains most of the effects you will use in your sequences, including video filters, audio effects, and transitions. Once applied, the controls for these effects are displayed in the Effect Controls panel. Effect Controls panel: This panel displays the controls for any effects applied to a clip you select in a sequence or open in the Source Monitor or Project panel. If you select a visual clip in the Timeline panel, Motion, Opacity, and Time Remapping controls are automatically available.

Most effect settings are adjustable over time. Audio Clip Mixer: This panel is based on audio production studio hardware, with volume sliders and pan controls. There is one set of controls for each audio track on the timeline. The adjustments you make are applied to audio clips. Tools panel: Each icon in this panel gives access to a tool that performs a specific function in the Timeline panel.

The Selection tool is context-sensitive, which means it changes function depending on where you click. Several tools have a small triangle icon, indicating a menu of additional tools. Press and hold on one of these tools to see the menu of options. Info panel: The Info panel displays information about any item you select in the Project panel or any clip or transition you select in a sequence.

History panel: This panel tracks the steps you take and lets you easily undo a series of changes. When you select a previous step, all steps that followed it are also undone.

Most panels display their name at the top. When a panel is displayed, the name is underlined, and the panel is outlined in blue. Most panels have a menu next to the name with options particular to that panel. Using the Learning workspace Although other workspaces are intended to facilitate a particular creative activity, the Learning workspace is an exception.

This workspace includes the Learn panel, which offers tutorials to help you build familiarity with the Premiere Pro interface and learn important skills.

You will find the tutorials complement the exercises in this book well, and you may find it helpful to practice first with this book and then explore the relevant tutorials to reinforce the lessons you have learned. Customizing a workspace In addition to choosing between the default workspaces, you can adjust the position and location of panels to create a workspace that works best for you.

You can create multiple workspaces for different tasks. As you change the size of a panel or panel group, other panels change size to compensate. Every panel within a panel group is accessible by clicking its name. All panels are movable—you can drag a panel from one group to another.

You can drag a panel out of a group to become a separate floating panel. You can double-click the name of any panel to toggle it between full screen and its original size. In the Project panel, double-click the icon for the clip AO. Be careful to double-click the icon and not the name, as clicking the name selects the text, making it ready for renaming. Position your pointer on the vertical divider between the Source Monitor and the Program Monitor.

Drag left and right to change the sizes of those panels. You can choose to have different sizes for your video displays, which is useful at different stages of post-production. Now place the pointer on the horizontal divider between the Program Monitor and the Timeline panel. Drag up and down to change the sizes of these panels. Click the name of the Media Browser panel at its top , and drag it to the middle of the Source Monitor until a blue rectangle appears the drop zone.

Release the Media Browser panel to dock it in that panel group. The drop zone is displayed as a center highlight. Drag the Effects panel which is grouped with the Project panel by default by its name to a point just inside the right edge of its current panel group until a blue trapezoid-shaped area the drop zone is highlighted.

Release the Effects panel; it is now alone in its own panel group. When you drag a panel by its name, a drop zone is displayed. If the drop zone is a trapezoid, it will create a new panel group. You can also pull panels into their own floating windows.

Note You may need to resize a panel to see all of its controls. Drop the Source Monitor anywhere, creating a floating panel. You can resize the panel by dragging a corner or a side. As you gain experience, you might want to create and save the layout of your panels as a customized workspace. Type a name, and click OK.

Now, to return to a recognizable starting point, choose the preset Editing workspace, and reset it. Premiere Pro has several types of settings. For example, panel menus , which are accessible by clicking the menu button next to a panel name, have options that relate to each panel, while individual clips in a sequence have settings you can access by rightclicking them.

The panel name, displayed at the top of each panel, is often referred to as the panel tab. This is the area of a panel you use to move the panel, almost like a handle you can grab the panel by. There are also application-wide user preferences, which are grouped into a single dialog box for easy access.

Preferences will be covered in depth as they relate to the individual lessons in this book. Drag the Brightness slider to the right to suit your preference. The default brightness is a dark gray to help you see colors correctly human perception of color is influenced by surrounding colors. There are additional options for controlling the brightness of interface highlights. Experiment with the Interactive Controls and Focus Indicators brightness sliders. The difference in the onscreen sample is subtle, but adjusting these sliders can make quite a big difference to your editing experience.

Set all three settings to Default by clicking the Default buttons when you have finished. Switch to the Auto Save preferences by clicking Auto Save on the left.

Imagine if you had worked for hours and then there was a power outage. With these options, you can decide how often you would like Premiere Pro to save an automated backup of your project file and how many versions you would like to keep in total.

Auto Save backups have the date and time they were created added to the filename. Note Premiere Pro allows you to open multiple projects at the same time. This option creates an additional backup of your project file in your Creative Cloud Files folder. If you suffer a total system failure while working, you can log in to any Premiere Pro editing system with your Adobe ID to access the backup project file and quickly carry on working.

If you have a sudden system failure like a power outage , this is the file you will most likely want to open to continue working. Click Cancel to close the Preferences dialog box without applying any changes. These are usually faster and easier than clicking—once you know them. Several keyboard shortcuts are shared universally by nonlinear editing systems. The spacebar, for example, starts and stops playback—this even works on some websites.

Some standard keyboard shortcuts come from celluloid film-editing traditions. The I and O keys, for example, are used to set In and Out points for footage and sequences: These special marks indicate the start and end of a desired section and were originally drawn on celluloid directly.

Many shortcuts are available, but not all are assigned a key by default. This allows flexibility when setting up your editing system. It can be a little daunting to see the number of keyboard shortcuts available, but by the end of this book you will recognize most of the options displayed here.

Some keyboard shortcuts are specific to individual panels. Open the Commands menu at the top of the dialog box, and choose the name of a panel to create or edit shortcuts for that panel. Specialized keyboards are available with shortcuts printed on them and color-coded keys. These make it easier to remember commonly used shortcuts. The keyboard shortcut display updates to show the results of combining the modifier key with the character keys.

Notice there are many keys without shortcuts assigned when you use a modifier key. These are available for you to assign your own shortcuts. You can set keyboard shortcuts with any combination of modifier keys. If you press a character key, or character and modifier key combination, that particular shortcut information is displayed. To change a keyboard shortcut do one of the following: 1. Having found an option you would like to assign to a key, drag it from the list onto the key you would like to use in the upper part of the dialog box.

To remove a shortcut, click the key, and choose Clear at the bottom right. For now, click Cancel. Close the project file and save any changes. Moving, backing up, and syncing user settings User preferences include a number of important options. For example, you might prefer the interface to be brighter than the default.

Premiere Pro includes the option to share your user preferences between multiple computers: When installing Premiere Pro, you will enter your Adobe ID to confirm your software license. You can use the same ID to store your user preferences in Creative Cloud, allowing you to synchronize and update them from any installation of Premiere Pro. You can sync your preferences while on the Home screen by choosing Sync Settings. If a dialog box appears asking if you would like to save changes you have made, click Yes.

Why is Premiere Pro considered a nonlinear editor? Describe the basic video-editing workflow. What is the Media Browser used for? Can you save a customized workspace? What is the purpose of the Source Monitor and the Program Monitor? How can you drag a panel to its own floating panel?

Premiere Pro lets you place video clips, audio clips, and graphics anywhere in a sequence; rearrange items already in a sequence; add transitions; apply effects; and do any number of other video-editing steps in any order that suits you. Transfer media to your computer; create a sequence by combining video, audio, and still-image clips in the Timeline panel; add effects and transitions; add text and graphics; mix your audio; and export the finished product as a video file.

The Media Browser allows you to browse and import media files without having to open an external file browser. You can view and select part of your original footage in the Source Monitor and use the Program Monitor to view the contents of the current sequence displayed in the Timeline panel. Choose video rendering and playback settings. Choose video and audio display settings. Create scratch disks. Use sequence presets. Customize sequence settings.

You will not need any of the downloadable lesson files. Luckily, Adobe Premiere Pro gives you easy shortcuts. To help you plan and manage your projects, this lesson contains information about formats and video technology.

You may decide to revisit this lesson later, as your familiarity with Premiere Pro and nonlinear video editing develops. A Premiere Pro project file stores links to all the video, graphic, and sound files you have imported. Each item is displayed in the Project panel as a clip. The name clip originally described a section of celluloid film lengths of film were literally clipped to separate them from a roll , but these days the term refers to any item in the project, regardless of the type of media.

You could have an audio clip or an image sequence clip, for example. Clips displayed in the Project panel appear to be media files, but they are actually only links to those files. You can delete one without affecting the other more on this later. Learn how to take a project from beginning to end, organize media, add audio, create transitions, produce titles and captions, and add effects. Take your projects further by sweetening and mixing sound, compositing footage, adjusting color, using advanced editing techniques, managing projects, working with video for VR headsets, animating graphics and video, exporting, and much more.

The online companion files include all the necessary assets for readers to complete the projects featured in each chapter as well as ebook updates when Adobe releases relevant new features for Creative Cloud customers. All buyers of the book get full access to the Web Edition: a Web-based version of the complete ebook enhanced with video and multiple-choice quizzes. Maxim Jago is a media technology trainer, Futurist, BAFTA shortlisted director, award winning film script writer, stage presenter, and the author of several books and training courses.

He has written for national magazines and been quoted by authors in books on film making practice. Maxim developed a teaching and learning masterclass that makes learning easy, meaningful, and memorable, called the ESP Teaching System.

He presents internationally at media conferences and film festivals, and consults for a wide range of organisations on future technology and the human condition. Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.

Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness. Previous page. Sticky notes. On Kindle Scribe. Publication date. February 15, File size. See all details. Next page. Due to its large file size, this book may take longer to download. Fire Phones Fire Phone. Next 3 for you in this series See full series. Next 5 for you in this series See full series.

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Chris Florio. Kindle Edition. Customers who viewed this item also viewed. Page 1 of 1 Start over Page 1 of 1. Adobe Premiere Pro Classroom in a Book release. Jago Maxim. Maxim Jago. About the Author Maxim Jago is an Adobe Master Trainer, award-winning screenwriter, award-winning film director, and media technology specialist. He has authored multiple books and courses on post-production techniques and travels around the world teaching creatives, studios and broadcasters how to make moving images.

Maxim lives in London, England. Brief content visible, double tap to read full content. Full content visible, double tap to read brief content.

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Top reviews Most recent Top reviews. Top reviews from the United States. There was a problem filtering reviews right now. Please try again later. Premiere Pro is not new to us. We go back to the version 1. At the time, many video professionals, whose opinions we generally respected, told us that Premiere was something of a toy.

To them, Premiere 1. Having taken all of that in stride, we watched Premiere continue to blossom into what has become the leading editing tool among broadcasters and filmmakers. However, there was a point where the bloom fell off the rose. Though Premiere 1. Those reigning kingdom days of FCP are over. Premiere Pro is the leading NLE app, out-pacing that Apple offering, which has become something of a consumer-oriented product.

Avid, a long-term favorite of broadcasters, is no longer on the top of the sales charts, either. This is due to those big media conglomerates who no longer need to factor big software investments into the budget. A complete package of all things graphic are now part of their accepted monthly operating expenses.

The upgrade fees, every 18 months or so, were a little more than half that price. They brought in the author Maxim Jago, a known educator for creative professionals, as well as a significant game player in British feature film production.

In all fairness, until recently, Richard Harrington was involved in this ongoing project. We frequently cross paths with Richard and Maxim in various Adobe projects, though we have never met and are more professional colleagues than pals. Our Premiere Pro romance, was reignited by CS5, when the app went to bit and had the kind of speed we felt it was missing for significant HD movie production.

At that point we needed to do some serious learning catch-up. Who Needs This Book? The days of squeezing all that learning into around pages is over. Trainees can take the ACE exams there. So, we have come to know the contents of these CIB volumes intimately. There are 16 core desktop apps in the full CC subscription. Yet, there are 12 books. Did Adobe Press skip 4 apps? Once you complete one of the current 12 CIBs, you have a great overview understanding of these apps. Will you be instantly proficient in Prelude in AME once you complete these monster 18 chapters?

How proficient will you be in Premiere Pro once you devote at least half workweek to this, if not more? Please use our table of contents-like checklist items to be sure you understand every aspect of this. We have done focus groups on this. The complete newbies and the migrating craft editors have to share this chapter. It teaches both video production basics and the intricacies of Pr features.

Hence, no one gets to swiftly page through it. Everyone should pay close attention to pages on customizing the workspace. In fact, insert a bookmark in there. If you have a few very different uses for this app, you might create a few of them. The intense users of other Adobe CC apps will understand this. If so, please go back and study it. Move through it slowly. It has been carefully constructed into bite-sized pieces. Fully digest each one before moving onto the next one.

Test yourself with each of them. Let us inject that we go back to the days of Adobe Bridge 1. When Adobe Prelude 1. Bridge and Prelude are how we rough cut the assets we bring into Premiere Pro. At this point, all you need to learn is how to bring a Prelude project into Pr. The discussions of video tape have a limited audience. However, with larger projects, especially ones which you need to revisit, weeks, months, or years later, keeping it organized from the start is essential.

Much like organizing assets in Bridge or building a website in Dreamweaver, your skills in creating an organizational strategy will improve with time. Get used to how you use the scrub controls, handle timecode, and set resolution. Get to know all of it. Chapter 5 – Essentials of Video Editing You just completed quite a few detailed steps in chapter 4. Be sure your mind is clear before you start this one. Craft editors do their finest technical and creative work on the timeline.

Starting on page 97, your mind needs to be fully engaged for these lessons. After all, you done everything correctly, right? However, do you know each one of these tasks so well that you can apply everything that you learned into practical application? We would suggest that you do some personal exploration with each aspect of working with the timeline until you feel you have mastered it.

Chapter 6 – Working with Clips And Markers At this point, hopefully, you can feel as if you have quite a few of the Premiere Pro basics nailed down. Yet, to do good work with the app requires you to use more of the tools, well. If not, all you have is a timeline filled with loose clips which cannot get you anywhere close to a finished sequence.

We mention that because this is the starting point for where you need to pay close attention to things like working with monitors and perfecting the clips through the use of markers.

Doing terrific work with this starts on page Perfecting your use of these techniques will determine if your finished projects have a professional polish to them. We suggest you take a break and come back to that work with a clear mind. Media storytelling methods are forever changing. Getting Started What are Transitions? Allow this to get your creative mind in gear. Previous editions of this book included a few cool graphics which helped trainees to understand what some advanced trimming is all about.

If some of these techniques do not immediately clarify themselves in your mind, please do not become concerned. If you must do an exercise again and go back and do it for yet a third time, do not hesitate to do that. If you have no experience in editing footage, it can take a little while until this becomes second nature. Before moving forward, practice on your own. Admittedly, the first time we worked on this chapter, a few editions ago, the techniques were not initially clear.

In fact, they were quite confusing. The more we worked with this, the more it became clear that the issues we had were not rooted in the CIB, but in the means by which Adobe has developed the user interface UI. Carefully revisit pages until the basics seem clear. We love motion graphics. Over-doing it looks terrible.

 
 

Adobe premiere pro cc classroom in a book free download.Adobe Premiere Pro Classroom in a Book (2021 release)

 
 

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Adobe Premiere Pro Classroom in a Book release contains 17 lessons that cover the basics and beyond, providing countless tips and techniques to help you become more productive with the program. You can follow the book from start to finish or choose only those lessons that interest you. Purchase of this book includes посетить страницу online features.

Follow the instructions in the books Getting Started section to unlock access to: Downloadable lesson files adobe premiere pro cc classroom in a book free download need to work through the projects in the book Web Edition containing the complete text of the book that walk you through the lessons step by step What you need to use this book: Adobe Premiere Pro release software, for either Windows or macOS.

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About Description Sample Content Updates. Features Offers an end-to-end approach to the video editing software Adobe Premiere Pro for beginning students, from ingesting footage to exporting the final product The online companion files include all the necessary assets for readers to complete the projects featured in each chapter Includes full access to the Web Edition: a Web-based version of the complete eBook enhanced with video and multiple-choice quizzes Instructor Notes will be available for this book and can be downloaded from Pearson.

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